Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that no one else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one from the most discussed books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended being a trilogy. Did it actually end just how you planned it through the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.

Q: We understand you worked about the initial screenplay for a film to become according to The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you cannot take everything with you. The story has to become condensed to fit the new form. Then there is the question of methods best to take a magazine told in the first person and offer tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for the second and so are privy to all or any of her thoughts so you will need a approach to dramatize her inner world and to make it possible for other characters to exist outside her company. Finally, you have the challenge of the best way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A great deal of the situation is acceptable over a page that couldn't survive on the screen. But how certain moments are depicted may ultimately be inside the director's hands.

Q: Have you been able to consider future projects while working on The Hunger Games, or are you immersed in the world you might be currently creating so fully that it is just too hard to take into consideration new ideas?

A: I've several seeds of ideas floating around inside my head but--given a great deal of of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges i can start to develop it.

Q: The Hunger Games is an annual televised event through which one boy and something girl from each with the twelve districts is instructed to participate in the fight-to-the-death on live TV. What do you think the appeal of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, in order that after they see real tragedy playing out on, say, the news, it won't have the impact it should.

Q: Should you were forced to compete in the Hunger Games, what can you imagine your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope could be to obtain hold of an rapier if there were one available. But the reality is I'd probably get with regards to a four in Training.

Q: What do you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements of the books could possibly be relevant of their own lives. And, if they are disturbing, what they might do about them.

Q: What were some of your respective favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time around it can be for world control. While it is a clever twist around the original plot, it means that there exists less focus for the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and and also at her motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement to an unsure come back to sweetness. McCormick also helps to produce the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each in the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.